Wednesday, December 21, 2011

A Dream: The Ambassadors




It took months for us to work out all the details – the visas, the airfare, the program stipulations, the itinerary and all the other boring crap and this was just so we could PAY to fly to an impoverished country and volunteer. This wasn’t missionary work – we were just done with college and had nothing better to do. The program we chose had more to do with tourism than charity, but it didn’t matter much. Business is charity and charity is business.
            Kyle and I chose Mexico because, why not? It wasn’t far and it seemed like a logical choice. We were sent emails from what seemed like a responsible, reputable organization and everything fell into place.
            As soon as we stepped off the plane, I realized that Mexico was far different from the Latino country I had remembered. All the buildings were bombed out, nothing more than shells and skeletal structures. Few people walked the streets and the only traffic was from carriages led by half-dead ponies.
            Our guide, a short man named L____ met us near a crushed taxi stand and shook out hands with his sweaty palms. He wore an Acapulco shirt and a baseball cap, assuring us that we’d enjoy our time here.
            I looked to Kyle. He looked back at me and shrugged. Either we’d been ripped off or there was gonna be a lot more work than we realized. Didn’t matter because we couldn’t go back now.
            The tourism center we were staying at was merely a compound of warehouses with the walls blown out. The floors were filled with green, white and black garbage bags. Flies crowded the air and underneath was a carpet of maggots.
            “What happened to your country?” I asked our guide.
            He laughed. “This isn’t my country.” He had a weird accent that wasn’t Hispanic.
            “Well, OK, fine. What happened?”
            “You Americans.” The guide shook our hand and walked away.
            “Was that an insult or an answer?” Kyle asked.
            We set our luggage against a busted wall near some crates and started digging through the trash. I’m not sure what we were looking for, but we started to find a lot of old VHS tapes, cartridge video games, trading cards and pre-teen horror books.
            I became excited. “I remember this and this and this from when I was a kid! It’s like I’m digging through my past!” I shouted.
            Kyle shrugged, his arms full of his own childhood. We shared a lot of the same memories and I kind of felt weird that they were so mass-produced. Like anyone could have shared them. Like they weren’t unique.
            And then we noticed some homeless kids rifling through our luggage. We chased them off and cursed at them until we were out of breath. Then, in the distance, we watched an American plane dropping bombs onto the city.
------

            The next day, all the garbage was cleared out of the warehouse and thrown into the street, replaced with thousands of shelves of American brands of food.
            “We’re going to make this a booming tourism industry!” Our guide was ecstatic. “Built especially for people like you two. Built on your own garbage and the graves of a third world country.”
            I nodded and muttered, “I guess I preferred the garbage to this.”

Monday, December 12, 2011

Lucid Fluids vol. 1


I present, LUCID FLUIDS vol. 1, the first in a series of surrealistic, experimental flash fiction based on the fantastic and disturbing pillow visions of Mene Tekel. These 14 tales (including three poems) spelunk into the deep, incoherent abstractions of the mind -- memory, dreams and fear. Written with an admiration for Franz Kafka, Stanley Donwood, the cartoons of David Firth, with a little bit of Neil Gaiman and David Lynch for good measure, Lucid Fluids will fill you with a restlessness and dread that's all too familiar.

You can buy it HERE.

Thursday, December 8, 2011

Ending With Dreams

Starting with dreams, well, that describes how I felt. I mean, the whole thing, the whole "go to sleep, hallucinate and wake up" thing isn't so Freudian for me. I always know what my dreams mean, not some symbolic, New Age bookstore crap either. I know what they mean. 

When I dream of being locked in prison, having to tunnel my way out with a spoon, having to duck down a corridor just before the guard, demonic in appearance, turns around and sees me, well, I'm just dreaming of ways to escape from society. I guess it's some teenage angst thing, some rebellion against The Man thing I should have outgrown, but fuck that noise, I never sold out and just cuz I'm paranoid doesn't mean they're not out to get me. Some Woody Allen quote.

But when I dream of floating downriver, in out-of-control boats and deflated balloons, I can't steer and the current is just taking me away, well, that's just me swept up in all of my life and that's nothing new. Who isn't overwhelmed by everyday circumstances, by the pressure of routine and deadlines and just having to be honest with yourself when you jostle around in sleep, wake up and comb your hair back into place, like nothing ever happened.

And then there's all the fist fights I used to get into during my restless, midnight escapades. I'd always lose. I'd always take the first punch, then my retaliation was like my arms were rubber, like I was trying to kick underwater and nothing ever connected the way I wanted it to. I'd be stabbed and beaten or I'd run, sprint down dark alleys and under yellow street lights and I'd always lose. 

I guess that's why, when my fist connected with the bastard's face, some prick starting shit with me over nothing, I couldn't hear myself screaming obscenities, didn't know I was yelling, "Fuck you, fuck you, fuck you, man," till I noticed he was on the ground, his buddy trying to both help him up and keep him from attacking me again, trying to stop something that shouldn't have started, that's why I felt so good. It wasn't just the adrenaline electrifying my swollen eye, blazing through my veins, wasn't just my bruised fist that felt so fucking good. And I felt on fire. It was the realization that I had overcome a nightmare.

Friday, April 15, 2011

The Hive


Once you clear the fence, hit the ground running. If you're quiet, it will take about ten seconds for the dogs to notice you and give chase and it's only a 30 second sprint to the house. Think you can outrun a pack of dogs? The dogs, rottweilers and pit bulls mostly, are there to guard the estate from trespassers, assholes like you.
            The brick wall is ten feet high, so you jump from a tree, right into the barbed wire circling the top. The barbs claw up your arms and legs like a shredder to cheese, the whole spiral bending with your weight and when you land awkwardly on your bad ankle, it takes some flesh with it. Once you clear the fence, hit the ground limping, bleeding, terrified.
            Edging toward the house, you're quiet, like the breeze that teases the weed-saturated lawn, kicking up pollen from wild flowers. If you duck low enough under the grass, maybe the dogs won't see you, but it won't be long before they pick up your scent, the stench of your fresh blood.
            Barking. The sound of little paws racing invisible through the overgrowth. Your ankle's complaints are drowned out by one word: RUN.
            The beasts close behind, the ancient three-story mansion just within view, you notice all the windows, the doors, everything, boarded up, nailed shut, sealed like entrances to tombs. This is a dead end; there is nowhere to hide. Not far behind, you can already feel the spittle of the dogs behind you. Then, your foot catches in the anaconda coils of a garden hose and you trip, tumbling headfirst into the hatch trap door to the basement, which snaps in two. Down you pitch, making sure to hit every stair on the way down.
            Too dazed to move or even assess broken bones, the dogs snarl and growl at the top of the stair. Then they whimper and turn away.
            You pick yourself up, not sure what made the dogs leave. Not scared, are they? You can hear a slight humming sound, constant and steady like an air conditioner. Go up the stairs, turn the doorknob and pause. The hum is louder.             Suddenly, there's a strong burning sensation in your leg and you look down to see a single bee with its ass stuck in your calf. A swift swat and it's nothing but goo, mixing in with the blood.
            You grab the doorknob again, noticing two more bees fluttering near your head. Shoo them away and then pull the door open. You're in the kitchen, but it's dark, so you hit your keychain flashlight. The walls seem to be moving, swaying ever so slightly, like a bead curtain. The air is thick with flies or something. Then your eyes adjust and you realize the flies are actually more bees, lots more bees and the walls are thick with beehive. You wave your hand at bees getting too close, the stale air making it hard to breathe, and push through the swinging door into the living room.
            The den is no better, every wall coated in honeycomb like a bad mold. And then the truth dawns on you -- the entire mansion is one giant beehive. You’ve got to get out of here.
            Back up. Before you run out the door to face the dogs again, remind yourself why you're here.
            OK, so it began back with your father on his deathbed, but it was barely him anymore. The ex-military captain, amateur hiker and former jog freak was now as shriveled and emasculated as a castrated bull's ballsack. He was tangled in an assortment of cords, a steady pulse going through his heart rate monitor, his skin saggy like fried chicken flesh. Barely there, the indent in the mattress the only evidence he weighed anything, seeming more like emptiness.
            He asked quietly for death, asked you to ask the doctors to kick out whatever crutches he was standing on. But he was leaving you with his debts, the ruins of a mortgage company crushed in the latest economic scandal. Your frequent visits to the hospital were only to watch him suffer. You got some sick pleasure out of it.
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            You were there for his last moments when he finally gave in, when his breathing was mere gasps and he told you to remember the mansion on Cedar Grove, the one the bank snatched back, the one with the dogs roaming the grounds in case your father tried sneaking in to steal back any of his valuables. He said, in the Red Room, the one painted as sanguine as a Ferrari, under the floorboards he buried one of those priceless Islamic vases he used to collect. One of those is worth a couple million at least, enough to get you out all that impending debt.
            He told you to go to the house and you'd be fine, you’d be able to save yourself. Once you clear the fence, hit the ground running.
            When you asked him why he didn't sell the fucking vase in the first place to save everyone from all this trouble, he merely shrugged, half a grin on his face. "I didn't want to give it away." Then his eyes closed and he breathed in less and less and then finally stopped. He died with that stupid smile on his face.
            Now you're in this godforsaken mansion, worming through the corridors and high ceilings filled with millions upon millions of bees. You've heard the stories about how swarms take nest inside houses. They can grow comfortably in number in a way nature can't provide and given enough time, a hive could potentially take over the whole building. Or perhaps it's not just one hive, but several hundred, all coexisting. Either way, this house is alive with the numbing hum of countless flying, stinging insects.
            Standing in the living room, tracing your flashlight beam across the walls, marveling at the complexity of the place, the sheer numbers, the perfect tessellations of hexagon honeycombs covering everything in sight, you can feel dozens of little insects landing all over you, investigating the sweet smell of your oozing cuts. You tremble as bees tickle your neck, attempting to remain calm so as not to startle the things. You remember your mother was deathly allergic to these creatures and the venom in their stingers and that's how she passed -- the squatters built a makeshift kingdom in her bathroom and stung her repeatedly during the night. On some heavy-duty painkillers for whiplash from a near fatal car accident earlier in the week, she didn't wake up, she didn't feel a thing.
            You don't know if you're personally allergic to bees -- you've never been tested. You inspect the sting you got earlier, still smarting, but it looks fine. What do allergies look like anyway? But still you hate the bastard that did this to you.
            Some people say honey bees are disappearing and you could care less, but still, because of your mother, you know far too much about bees. You know that out of the 16,000 species of these insects, only eight produce honey. You know on the Schmidt Sting Pain Index, the piercings from these bees ranks at a 2.0, just above a yellowjacket (which feels like a cigar being extinguished on your skin) and just below a red harvester ant (which feels like someone drilling into your ingrown toenail.) Bee stings, including the one on your leg, feels like someone flicked the cherry off a cigarette and let it smolder into your skin.
            The faster you get out of this hellhole, and what better term for this place, the better. When a bee stings, the barb gets stuck in the skin and the result is an eviscerated insect, it's tiny bee guts pulled out like a popper on the Fourth of July. You know that when honeybees sting, they release pheromones, a battle cry for other bees to come and join in the fray. Better hurry before they notice and begin some Kamikaze attack on you.
            As you climb the stairs, flashlight pointed down so you don't step on any honeycomb nurseries, you hear the sound of a tractor outside firing up. You hear men yelling orders and the steady pulse of some large machinery backing up. Checking your cell phone, the battery almost dead, you realize it's the 15th already, the day the bank threatened to tear down this mansion. Some zealous developer wants to buy the land and turn it into a themepark or a parking garage or a duplex complex or whatever, so as soon as your dad died, before his body was even cold, the mansion went up for auction. Like most other mansions in this housing market, it was sold cheap and quick from what you remember reading in the Sun and today, it's going to be torn down.
            At the top of the landing, you peak through a crack in the boards, getting your face up close and personal with the hive. Bees crawl on your face in circles, doing little bee dances, their antennae twitching back and forth like anxious metronomes. Outside, you can see the men with a gigantic crane and attached is a pear-shaped wrecking ball.
            Now you've really got to hurry. If you get caught, assuming the dogs don't come back and maul you, you'll be charged with trespassing, not to mention theft.
You pass into the first room on the landing. You can't remember which room is the Red one. It could be any of these, all of which are so caked in thriving hives you can't make out the color of the walls. The bees are living in everything in this room, which was probably a billiards room given the massive form in the center, a miniature city growing around the billiards and cues, hundreds of commuters flying out of the pockets.
            So you dig. You reach your hand into the hive wall and slowly pull back. The honeycomb bristles and crumbles like a weak plaster and bees swarm your hands so fast it looks like you dipped them into sunflower seeds. The wall is an eggshell white except for the dirt left behind. And then the stings come, hundreds upon hundreds, all over your hands.
            You shake them off frantically, but more just land and more sting. You hands become gloves of angry punctures.
            The next room is a bathroom and you thrust your bleeding, swollen fists into the dark, goopy tank of the toilet. Bees are evacuating the medicine cabinet, flying like some Great War-era fighter pilots, dog fighting, zeroing in on you.
            The air is thick with bees and sometimes you breath one in. At first you frantically try to spit them out, but that just results in stung and swollen lips, so now you crush them with your teeth before they have a chance to jab at your tongue. You soon have a paste of bees you're half drooling out your bulging mouth and the taste is like a waxy, furry glue.
            There's a crash downstairs and the whole house shakes. You look down over the banister and see a fog of bees angrily swarming around some giant light. Then you realize the light is coming from a gigantic hole in the living room. This time you see the wrecking ball crash through the wall, taking out a larger chunk, throwing honeycomb and dust everywhere and angering the bees even more. The house shudders and starts to lean, collapsing into the hole.
            You run into the next room, quickly tearing at the walls. They’re peach. You run back to the bathroom, dip your hands into the toilet and lather, rinse, repeat. The next room has beige walls. The stinging is so constant you’re getting numb to it, your hands, your neck, your face ballooning like elephantitis mixed with chicken pox.
            You’re on the third story. Another crash from downstairs and the wall next to you rips off, revealing the hot air outside. The light is blinding, the bees flying out like bats at sunset, vainly trying to save their home.
            In the last room, your fingertips so fat and numb you can barely pry, you peel back the honeycomb and find that the walls are blood red. The wall behind you disappears, the wrecking ball retreating, and the ceiling starts to sag, the floor warping like a Dali painting. The bed, nothing more than a bee metropolis, slides past you and tumbles out the gap into the world.  Bees are crawling through your hair like headlice, stinging you repeatedly. The floor splits in the middle, giving you the leverage you need to pry the boards back.
            Just like good old daddy promised, there’s a box there. With mushroom hands, you lift the lid and remove the vase. You cradle it for a while, marveling at it’s intricacy, the hours of horned passion pressed into every groove centuries ago. It’s creator anonymous but more precise than any artist alive today. There’s a kinship man has with craft of this magnitude – no wonder it’s so invaluable.
            Another wall collapses, leaving you naked to the open air. The bees, perhaps giving up on their sinking Titanic, varnish themselves on you like those coats of bees you see performance artists wear. You can feel your breathing swell up and you’re still staring at the vase when the foundation of the house gives way, the floor beneath you folds like a house of cards and you disappear.